Postludium: Retrograde inversion of the Praeludium.Fuga undecima in B ( canon): Accompanied canon.Fuga nona in B ♭: Subject transformation fugue.Interludium: Romantic miniature ( Brahms style).Interludium: Romantic miniature ( Chopin style).Fuga tertia in F: Mirror fugue, where the second half is an exact retrograde of the first, except with voice paddings at their end exits.

In this system, the major-minor duality is meaningless and the practice of modulation is dropped, although subject modulation occurs in the second fugue, to create growing tension. Pdfmoduleversion 0.0. The affinity of each note with the keynote is directly related to its position on the harmonic scale. lpludus-tonalispaul-hindemith-jane-carlson0 Identifier-ark ark:/13960/s2g225kqn8z Lineage. Ludus Tonalis can be thought of as the most direct application of Hindemith's theory that the twelve tones of the equally tempered scale all relate to a single one of them (called a tonic or keynote). Unlike Bach's work, though, the non-fugal pieces in Ludus Tonalis frequently repeat the work's main theme. Ludus Tonalis was intended to be the twentieth-century equivalent to J.S. The tonalities of the fugues follow the order of his Serie 1 and use the keynote C (see The Craft of Musical Composition). In between, there are twelve three-part fugues separated by eleven interludes, beginning in the tonality of the previous fugue and ending in the tonality of the next fugue (or in a different tonality very close to that). Paul Hindemith: Ludus tonalis - Studies in Counterpoint, Tonal Organisation & Piano Playing. The Ludus Tonalis (‘Play of Tones’), written in 1942 and premiered by Willard MacGregor in 1943, is the quintessential model of Hindemith's music theory in practice. The piece, which comprises all 12 major and/or minor keys, starts with a three-part Praeludium in C resembling Johann Sebastian Bach's toccatas, and ends with a Postludium which is an exact retrograde inversion of the Praeludium. It is in effect, a veritable catalogue of the composer's mature style.' The piece explores 'matters of technique, theory, inspiration, and communication. It was first performed in 1943 in Chicago by Willard MacGregor. Ludus Tonalis ('Play of Tones', 'Tonal Game', or 'Tonal Primary School' after the Latin Ludus Litterarius), subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen ( Counterpoint, tonal and technical studies for the piano), is a piano work by Paul Hindemith that was composed in 1942 during his stay in the United States. From the first and final movements, respectively. Piano work by Paul Hindemith Opening ( Play i) and second to last ( Play i) measures of the piece. In particular, Paul Hindemiths Ludus Tonalis and later Shostakovichs 24 Preludes and Fugues are considered collections of neo-classical fugues that were heavily inspired by J.S.

Hindemith ludus tonalis pdf